It means you weren’t the first person on your server to subscribe that community/magazine.
Addicted to love. Flower cultivator, flute player, verse maker. Usually delicate, but at times masculine. Well read, even to erudition. Almost an orientalist.
It means you weren’t the first person on your server to subscribe that community/magazine.
It would be nice to see people engaging with old posts when they stumble across a community and subscribe to it.
One barrier that will make this difficult is that instances only get a community’s feed from the moment they first subscribe to it, if that community’s home instance is on another server. So if you’re a user on - say - leminal.space and you’re the first person on that server to subscribe to - say - Musicals@kbin.social then you will not see any of that community’s old posts, only posts created (or boosted) after you’ve subscribed. This makes it difficult to engage with old content unless other people on your instance have been members of that community for much longer.
This is one of the issues with the fediverse model that doesn’t exist in a centralised model like reddit. And - sadly - smaller, niche communities are the ones most likely to be affected by this limitation, because they’re the ones least likely to be federated to a large number of instances. It makes smaller, less active communities look even more inactive than they actually are.
Yes.
Troy is the first Sinead O’Connor song I ever heard. It’s filled with so much love and pain and rage. I was too young to understand it, but I listened to it a lot. It remains one of the most powerful artistic expressions I’ve encountered. Here is a live performance and the music video.
Lots of negativity in this thread, but that seems to be par for the course for any fandom. Personally I’m cautiously optimistic.
Skydance produced/co-produced (often partnering with Paramount) on a number of franchise movies, including Star Trek, Mission Impossible, Jack Reacher, Top Gun, GI Joe, Terminator, The Old Guard and Spy Kids. Some of their productions have been well-received (eg Mission Impossible, Top Gun Maverick) and others less so (Terminator Genysis and Dark Fate, although personally I quite liked Dark Fate). They’ve also produced smaller, critically acclaimed movies like True Grit, Annihilation and Air; as well as their share of dreck of course, like Geostorm.
What I think is clear though is that Skydance is primarily interested in big franchises, so if they were to acquire Paramount, I think more Star Trek movies would very likely be in the works which, as a fan, I’d be happy about. I know there’s an argument that Trek is best suited to TV, but some of the best Star Trek has been big screen Star Trek. And studios are more willing these days to have franchises run across both TV and film concurrently (MCU, DC, Star Wars), granted with mixed success.
Re Larry Ellison’s involvement - my guess is that he’d be a silent partner, putting some of his personal fortune - rather than Oracle’s funds - to help out his son. I believe he did the same thing for his daughter, Megan Ellison, whose company Annapurna Pictures he helped fun and which went on to produce films like Her, Zero Dark Thirty, Phantom Thread and Books Smart (and the stage musical A Strange Loop). I doubt Larry Ellison will take a hands-on role in the management of Skydance/Paramount.