It’s pretty odd that an NBCUniversal event is bringing two Paramount Global fandoms (D&D, Star Trek).

I’m not unhappy that Starfleet Academy has been holding back on callbacks of Discovery legacy characters.

As we saw with DS9, sometimes it’s better to let the new characters have some time to establish themselves and settle down before confronting them with former main cast legacies. Otherwise, what’s intended to help a new show get established can sometimes do the opposite.

Can anyone really cite a first season major legacy character appearance that boosted a new show and is considered a strong entry in hindsight?

The only one that comes to mind for me is Riker and Troi’s appearance in ‘Nepenthe’ in season one of Picard.

I bought season two of Prodigy in Canada from AppleTV, but am super frustrated.

Season one continues to be available in the CTV app for CTV Sci-fi subscribers, but I am really wondering about what the value of that subscription is.

There still are a few new shows (SurrealEstate, The Ark, SNW) that I watch, but they remove some new shows from the app super quickly. We have to record them in the PVR or by physical media as soon as it’s out.

I found it interesting that in recent articles quoting Kate Mulgrew on her conditions for Janeway to return in live action, the thing she most stressed was that she had told Alex Kurtzman that the quality of the writing would have to be meticulous.

She’s very happy with the writing for Janeway in Prodigy but sounds like she needs to be convinced that it would be the same in live action.

I have thought ‘Move Along Home’ was great since first broadcast.

DS9 hadn’t yet locked into its eventual tone, but I hold to my view that it’s an episode that wouldn’t have raised the ire of the ‘Dignity of Trek’ on just about any of the other shows in the franchise.

It’s here in Canada on digital via AppleTV.

Also @GoodAaron@startrek.website has confirmed on his Mastodon account that CTV continues to retain the licence but the EPs didn’t have any news on when it might run either.

I have to wonder if there are any standard ‘use it or lose it’ clauses that crystallize after a certain point in the contracts for streaming licences.

I enjoyed it. It helped me see how Georgiou’s had already begun her journey even before season two of Discovery and it was a fun ride.

Simon & Schuster has been careful to select the best of its established ‘Relaunch Novelverse’ group of authors to write the tie-in books for its new live-action shows.

If you like the action focus of John Jackson Miller’s other tie-in fiction for Star Trek or other franchises, you’ll definitely like this one.

Definitely above average among Trekbooks, but there are some outstanding by some of the others that would place higher.

Emony (the gymnast) appears prominently in the Discovery novel ‘Die Standing’ that tells MU Georgiou’s journey between seasons one and two.

In the book, Emony had a covert identity as an operative for Starfleet Intelligence and was paired with Georgiou for a mission.

So, I have been hoping that Emony might appear in the S31 event movie.

While Chase Masterson’s Leeta took on Emony’s identity in the Trill zhian’tara ritual, there’s no reason to think she couldn’t be very different looking than Chase. So I am hoping Emony might be one of the yet-to-be-named female main characters.

I’m wondering if the cast appearances will include actors from S31 and Starfleet Academy, or just from Lower Decks and Strange New Worlds.

And I am wondering if we might see more casting news for Starfleet Academy ahead of SDCC.

Or at least some character names to go with the casting announcements we’ve already had. It would also be great to know what species some of these will be.

I was replying to the sarcastic remark directly above that posits that Trek has an adequate fanbase to sustain the franchise.

Prodigy’s been an investment in reaching younger fans and building an audience for the future.

Starfleet Academy’s target audience is later teens and young adults. Basically, ‘the key demographic’ as reported by Nielsen in the US.

Advertisers care mainly about 18-35 year olds, and now that streaming has ads that key demographic is important for the survival of the franchise.

Besides if the franchise hadn’t expanded its fanbase in the 90s it wouldn’t be viable now. And let’s face it, it’s not that significant outside North America. Gone are the days when US audiences were adequate for survival.

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I really wish Hallmark put more effort into reaching younger fans with their collections.

And even older fans like me would like some merch from the newer shows and not just more TNG, and TOS or even Enterprise.

Do they have any kind of realistic focus groups informing these selections?

A 90 minute animated streaming movie for either Netflix or Paramount could be great.

I suspect you’re correct on this.

I have been looking for a ‘special presentation’ on CTV linear as they have a track record of inserting those when they’re out of alignment with streaming releases.

Checking the CTV Sci-fi schedule on Thursday, July 5th at 9 pm - the usual slot for new Star Trek - Snowpiercer is shown. The rest of the evening has the usual Star Trek Voyager reruns.

Sigh.

The closest Chapman’s flavour to that might be Premium Chocolate & Brownies Ice Cream, but Rok herself might like the classic Rocket ice Lollies.

TrekCore is saying that in Canada season 1 will be available on the CTV app.

😞😢😭😿😿😿